This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1892 Excerpt: ...formed by the power of the sun, but if it was imperfect, it could not receive that power Conv. iv. 20). 356 CANZONIERE. BALLATA IX. TERRIBLE IN BEAUTY., Io mi ion pargoUtta bella t nuova. "A Maiden young and beautiful am I, And I am come that I may show to you The beauties of the region where I grew: I come from Heaven, and thither shall return, To give to others joy in my clear light: « And he who sees me, nor with love doth burn, Of love shall never have clear-visioned sight: For nothing was denied to my delight, When Nature begged me of him as her due, "Who wills, dear ladies, me to join with you. '10 Each star that shines within mine eye doth rain Showers of its light, and of its potency: My beauties to the world as new remain, Because from Heaven's high clime they come to me; Nor can men ever know them perfectly, is Save by the knowledge of a man in whom Love dwells, with joy all others to illume." These words are read as written in the eye Of a bright angel, seen with beauty rife, BALLATA IX. The reappearance of "pargohtta " in line i leads to the_ conclusion that she who speaks, manifesting what she is without speaking, is neither the living nor the transfigured Beatrice, but the Philosophy whom, in the Convito stage of his inner life, he had admitted to a co-ordinate share in his affection, not without the risk of its becoming predominant. So taken, Philosophv boasts, as in Conv. u. 16, of her heavenly origin. To that heaven she will return to give a fresh joy to its inhabitants. The poet thrn transfers to her what he had written of old of Ucatnce herself. Tn assume, with Fraticc li. that the "pargoletta " is Beatrice, seems to meat variance with Pnrg. xxxi 50, as interpreting the successive stages of Dante's ...
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THE COMMEDIA AND CANZONIERE; PARADISE. CANZONIERE. ECLOGUES. STUDIES THE GENESIS AND GROWTH OF THE "COMMEDIA." ESTIMATES, CONTEMPORARY AND LATER. DANTE AS AN OBSERVER AND TRAVELLER. PORTRAITS OF DANTE. L'ENVOI

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