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POPULAR TALES OF THE WEST HIGHLANDS VOL I - IV (FOUR-VOLUME COLLECTION OF SCOTTISH FOLKLORE TRANSLATED FROM GAELIC) - ANNOTATED MYTH OF CELTIC DEITIES (ENGLISH EDITION)


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  • Portada de POPULAR TALES OF THE WEST HIGHLANDS VOL I - IV (FOUR-VOLUME COLLECTION OF SCOTTISH FOLKLORE TRANSLATED FROM GAELIC) - ANNOTATED MYTH OF CELTIC DEITIES (ENGLISH EDITION)

    B01HFH71A2

 
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Sinópsis del libro:

  • Volume I
    This volume has many stories which have been anthologized elsewhere, as well as the extensive introduction which not only serves to introduce Scottish folklore, but as a prolegomena to the study of oral folklore in general.

    Volume II
    This volume is a continuation of the same sort of material in volume I, presenting folklore which has themes and motifs similar to other northern European traditions (and, of course, world folklore), albeit in a Scottish setting. Towards the end Campbell includes two unique tales, The Fair Gruagach, Son of the King of Eirinn, and The Knight of the Red Shield. These appear to be true remnants of ancient Celtic or pre-Celtic mythopoetic texts, and have a narrative structure and prose style that are radically different than previous material. Also of interest are the endnotes to The Smith and the Fairies, (see this and following files), which have a summary of the regional Fairy lore of West Scotland.

    Volume III
    This volume is less 'fairy tale' oriented than the previous two volumes, and includes several significant pieces of poetry, including the The Lay of the Diarmaid, The Yellow Muilearteach, The Lay of the Great Fool, and the The Lay of Osgar. These have been transcribed in both English and Gaelic, and the Gaelic text of these lays is included in the etext. The longest tale so far, the Story of Conall Gulban, is found in this volume. Also of interest are the (fairly transparent) pagan mythological themes in many of the pieces in this volume.

    Volume IV
    This volume is essentially an extended appendix to the previous three volumes, containing commentary, documentation, and analysis, particularly a rousing defense of Scottish poetry, art, music, dress, and the Gaelic language. At the time had Scotland been subdued by Britain for several centuries, and was considered a backwards, peripheral area without much in the way of culture, and one of Campbell's goals was to provide a counterweight to this chauvinism. He has only dropped hints about this in the previous three volumes--now the gloves come off.

    Idioma: INGLÉS

 
 

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