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<title><![CDATA[Comentarios al libro: ELECTRA]]></title>
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<description><![CDATA["The Electra of Euripides has the distinction of being,perhaps, the best abused, and, one might add, not the best understood, ofancient tragedies. "A singular monument of poetical, or rather unpoeticalperversity;" "the very worst of all his pieces;" are, for instance, thephrases applied to it by Schlegel. Considering that he judged it by thestandards of conventional classicism, he could scarcely have arrived at anydifferent conclusion. For it is essentially, and perhaps consciously, aprotest against those standards. So, indeed, is the tragedy of The TrojanWomen; but on very different lines. The Electra has none of the imaginativesplendour, the vastness, the intense poetry, of that wonderful work. It is aclose-knit, powerful, well-constructed play, as realistic as the tragicconventions will allow, intellectual and rebellious. Its psychology remindsone of Browning, or even of Ibsen." So begins the introduction to the"Electra" as translated and introduced by Gilbert Murray.]]></description>
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